This series is now for sale at Windowsmiths Gallery, Potts Point Sydney.
This series draws inspiration from three bodhisattvas—White Tara, Vajrasattva and Amoghasiddhi—approached not as fixed symbols, but as presences I dwell with. It’s a creative act.
Sometimes this takes the form of spiritual practice; other times it feels more like simply hanging out with good friends whose qualities are endlessly layered and fascinating.
My making process mirrors this relationship: a slow, attentive, and evolving observation and study of their spiritual qualities as they reveal themselves—qualities I first impress into wax, much like noticing attributes in someone you admire and wish to cultivate within yourself, and then cast in silver to hold, honour, and give them a more enduring form. I am equally charmed by their physical iconography and their quieter, subtler resonances, and it is within this meeting of form and meaning that each piece takes shape.
Each piece is set with three precious jewels—a quiet metaphor and an invitation. They suggest a way of seeing that encourages the wearer to notice beauty, significance and inspiration not only in the sacred or symbolic, but woven through the ordinary rhythms of everyday life.
Materials: Solid sterling silver, natural sapphires (multiple colours), garnets, rubies, black spinel or white diamonds. Chains are adorned with a charm bearing the maker’s hallmark.
Length/size: Pendants range from approx. 10mm x 10mm to 35mm x 30mm. Chains are approximately 530mm long and 2mm thick.
Price: Range from $200 - $300. A portion of sales from this series supports the re-build of Vijayaloka, a Buddhist retreat centre that has supported my own practice and sense of community. Those who wish to learn more or contribute directly can do so here:
This piece is centred on a white coral tower—pale, vertical, and quietly luminous. It reminds me of Vajrasattva: clarity rising from depth, purity that does not reject darkness but stands steady within it.
For Buddhists - this one would be great to wear during pujas.
The chain can be worn long or short and includes a small rectangular charm stamped with my hallmark.
Contact for price.
A bold neck chain designed to be worn close to the body and to be seen, its interlinked forms draw the eye and assert a strong, deliberate presence.
Crafted in sterling silver, the chain plays with contrast through a purposeful shift in link size, creating rhythm, movement, and visual impact. The variation gives the piece its character—confident, expressive, and unmistakably there. This is not a background necklace, but one that stands forward, inviting attention and appreciation.
Brushed, solid sterling silver.
In my exploration of boldness, I continue to be taken with setting large, double pointed crystals and semi-precious stones in simple encasings. I chose this clear quartz because its shape is reminiscent of a heart and its weight felt precious in my hand. When worn, the crystal rests in the middle of the chest, close to the wearer's heart and its weight has a grounding, stabilising effect. The piece's industrial feel could send a message that the wearer may be sensitive and full of boundless love, but they nevertheless possess qualities of strength like a rock, diamond or thunderbolt.
The clasp contains a Buddhist Bodhisattva 'pressing' - this one was taken from a rupa of the Bodhisattva Vajrasattva who is associated with purification and the colour white. Although this pressing was taken from Vajrasatta's earrings, it resembles a flower. To me, the spiritual path is about endless unfolding and beauty - like a bold, mythical flower.
The chain can be worn long or short and has a rectangular charm with my hallmark on it.
Neckpiece
Materials: Sterling silver, fine silver, sterling silver chain, clear quartz double point.
Length/size: Chain is approx. 65cm long (including pendant) and 0.9cm thick.
I like labradorite. Something about the semi-precious stone looks abyss-like; swampy waters with flecks iridescence and hope. I could not resist the challenge of setting this double pointed, vajra-like specimen.
In meditation and practice the image of the abyss keeps coming up for me. An unknown, dark and deep portal that is both scary and alluring. Being all those things at once intrigues me. I recently asked some Buddhist friends if the image or feeling of the abyss comes up for them too (it does) and posed the question "Is the only option to jump in?" They all had very thought provoking responses! One said "Well maybe rather than jumping into it, one can just step into it?".
The chain can be worn long or short and has a rectangular charm with my hallmark on it.
Neckpiece
Materials: Sterling silver, fine silver, sterling silver chain, labradorite double point.
Length/size: Chain is approx. 65cm long (including pendant) and 0.9cm thick. Labradorite point is approx. 9.3cm tall, 3.3cm wide and 2.3cm deep.
A jasper point has weight, substance and power. In a simple silver setting with an open base. Matt, brushed finish.
This solid piece took me about 4 weeks to make. I think it's because I subconsciously wanted to spend more time with it - to dream about it in between time on the bench and to 'be with' it a little longer.
I shared progress photos with some friends throughout the making process. One said it had the energy of a vajra (a ritualistic 'thunderbolt' used in Buddhist practice). One said it felt like it looked like something Thanos would wear.
The chain can be worn long or short and has a circular charm with my hallmark on it.
Neckpiece
Materials: Sterling silver, fine silver, sterling silver chain, jasper.
Length/size: Chain is approx. 72cm long (including pendant) and 0.5cm thick. Jasper quartz point is approx. 7cm tall, 2.6cm wide at base and 2.2cm deep.
Price: $380 plus shipping.
A tourmalinated quartz point in a simple silver setting with an open base. Matt, brushed finish.
I was saying to someone recently, I am attracted to things with a dark streak. Dark streaks capture my attention, but they also add a layer of interest, beauty and challenge (Can something still be beautiful when it has a touch of the dark?). There is a lovely solidity to this piece - I dare the wearer to not feel powerful and bold while wearing this.
Neckpiece
Materials: Sterling silver, fine silver, sterling silver chain, tourmalinated quartz
Length/size: Chain is approx. 60.5cm long (including pendant) and 0.3cm thick. Tourmalinated quartz point is approx. 3.5cm tall, 2.5cm wide at base and 1.8cm deep.
Price: Sold
Amoghasiddi is an archetypal Buddha who, amongst a number of things, symbolises fearlessness. I made this one for myself.
Necklace with removable talismans
Sterling silver
This engagement ring was made for a dear friend of mine. It is sunny, solid and full of energy - just like he is.
Amoghasiddi is an archetypal Buddha who, amongst a number of things, symbolises fearlessness. The sun motif was taken from my friend’s Amoghasiddi rupa/statue - an object of meditation he reflects upon as a Buddhist.
Engagement ring
18ct yellow gold, white sapphire, green peridot
In the Mahayana Buddhist tradition, Bodhisattvas embody aspects of the Enlightened Mind and personify Buddhist ideals such as compassion, wisdom and energy. I’ll probably get in trouble for this, but I sometimes think of them as Buddhist superheros…
Part of my spiritual practice involves reflecting on the Bodhisattvas I am drawn to. Sometimes it feels as if their qualities impress themselves upon me.
Vajrasattva is the Bodhisattva of purification and the rainbow is often associated with him. These pieces are the result of spending time with Vajrasattva, his qualities, his beauty and his serenity.
These playful amulets are my version of the spirit locks of the Hmong people of South East Asia.
Designed to be fun to wear, these pieces jingle and jangle as you go about your day.
When I was growing up in Australia in the 90s, it felt as if people like me were just seen as ‘Asian’ by the general populace. In my early 20s, I began visiting more of South East Asia and China and started to get a feel for the complexities and layers of the ethnicities and sub-ethnicities in the regions where my parents were from.
I am not Hmong myself, but this style reminds me of how complex, nuanced and fascinating the region of South East Asia is. Perhaps that complexity resides in me as well.
Neck pieces
Sterling silver, waxed cord
Ring
18ct gold, garnet, diamonds.
Earrings
Inspired by Cambodian chest ornaments used by royalty and court dancers on ceremonial occasions.
24ct gold-plated sterling silver
9ct gold butterflies
$250
Ring
This sailor signet ring is embellished with a grey/blue sapphire held in place with a traditional star setting.
22ct yellow gold
Ring
This Indian-inspired ring is my man bling.
9ct yellow gold
Rings
Sterling silver (oxidised)
$200 a pair
